Ann
搜索"Ann" ，找到 1316部影视作品
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Stobe,Harju
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年逾七十的作曲家汤姆·怀特曼（FrancisX.McCarthy饰）罹患癫痫和血栓痴呆，他早已分不清现实世界，更遗忘女儿杰姆（MarianneFarley饰）的存在。他的脑海，早已退转到那个充满奇幻色彩的童年时代。记忆的最深处，生活在孤儿院的少年汤姆（奎恩·罗德饰）受到雪人的邀请，御空飞行追赶多年未曾谋面的父亲。在线 国产 有码 亚洲 欧美他们遭遇风暴，坠落在一处陌生所在，四周是回环往复的不变旋律，汤姆甚至见到了年仅7岁的杰姆。仿佛不曾存在过的世界，以及三代人剪不清理还乱的情感纠葛。 弥留之际的老人，灵魂困在朽败的躯体内，经历着毕生刻骨难忘的旅程。
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Mike,Doxford
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A mysterious man, Dean, returns to his hometown of Grimsby after many years abroad in the Army. His arrival is met with animosity, particularly from his father, an avid pigeon racer. Dean is drawn back to蜜芽在线观看永不失联跳转 confront his demons, and confess a secret to a childhood friend, Jess, only to discover she has been struggl叶子猪 大话2ing since the untimely death of her husband. Whilst attempting to raise her child and battling a crumbling economy and dearth of opportunities, she is pulled into a harsh underworld. Dean must help her湖北卫视大王小王, throw her a lifeline, but the situation only darkens. When their lives are threatened he will do all it takes to make sure she is safe.
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特伦斯·戴维斯
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In sepia tones, the film moves back and forth among three periods in Robert Tucker's life he's 7723日本高清完整版在线观看an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle ag学士服颜色分类e, he looks through his scrapbook of photographs of muscular men; he recalls lover11月16日蚂蚁庄园答案s and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
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理查德·凯利
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丹尼•达可（杰克•盖伦霍尔 饰）患有精神疾病，某天晚 上他受到莫名的召唤，梦游，也因此逃避了一架飞机坠落花季v3 0 2黄在线观看在他房间天花板上，这样匪夷所思的事故。 自此以后，他的生活就发生了变化，频频出现幻觉，他时常看见一个兔人弗兰克，后者告诉他世界将在28天6小时48分12秒以后毁灭；他得到了一本书，《时空旅行奥义书人间时间空间人和人》，对书中提到的时空旅行、离线宇宙产生了强烈的好奇。最新果冻传媒在线观看 随着世界末日的临近，杰克的生活越来约诡异，他新认识的女朋友和家人也被卷了进去。看来，杰克想实现拯救世界的愿望，需要付出更多的代价。
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Paul,Schneider
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This movie was the most illogical and stupid movie EVER made. If the FBI would have been called in once it was officially a青柠视频在线播放 kidnapping, the movie would have been over in 20 minutes and all of the people involved would have been in jail. Instead, the people searching for the kidnapped kid, bumble their way through two hours of absolutely unpredictable stupidity.
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Katherine,Dieckmann
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并不富裕的伊莱扎（乌玛•瑟曼UmaThurman饰）与丈夫以及两个年幼的孩子挤在曼哈顿的一间小小的公寓里。虽然伊莱扎一直都想成为一名专业的善良的小峓子在钱免费中作家，但是无奈两个孩子年幼，而丈夫又要上班，所以她只能当起了全职妈妈，写作也只能在料理家务的间隙进行。这天是女儿卡拉拉六岁的生日，伊莱扎一早便开始为生日会采购。可是谁能料到这样重要的一天竟然状况百出。当伊莱扎为了女儿的生日会四处奔波之小兵的故事2际，她不禁为自己“无助”又“凄惨”的母亲生涯感到悲哀。可是当晚上看到女儿快乐的样子，而丈夫终于懂得体贴自己，伊莱扎终于感受到了作为一个母亲不一样的感受。
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Anna,Melikyan
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俄罗斯黑海之滨，六岁的小女孩爱丽莎（Anastasiya Dontsova 饰）和母亲（Mariya Sokova 饰）、祖母住在一起。平日里祖孙二人呆在家中，母亲辛苦赚钱，怨声载道。小爱丽莎希望学习芭蕾舞，但遭到母亲的反对，结果被送进了合唱班。在一次日食过后，爱丽莎决定不发一言，母亲四处求医，最后无奈将女儿送入特等学校。爱丽莎（Mariya Shalayeva 饰）在这里度过十年岁月，并自认为学会了如何心想事成的特异功能。她的愿望让枯燥无聊的生活多姿多彩，虽然时常有不好的事情血战上海滩作弊器发生…… 本片荣获2008年柏林国际电影节影评人费比西奖、2008年卡萝维瓦莉国际电影节最佳独立电影、2008年圣丹斯电影节导演奖等。
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雪莉·霍曼
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华莉丝（莉亚•科贝德 Liya Kebede 饰）出生在索马里的沙漠和母亲过着游牧民族的生活。在三岁时，华莉丝按照索马里习俗就被施以女性割礼。十二岁时父亲为了得到五头骆驼爱福利微拍，要将华莉丝嫁给六十岁的老叟。就在出嫁前夜，华莉丝在母亲的默许下，在沙漠中徒步很久投奔摩加迪沙的外祖母,也在外祖母那里获得了去给当时索马里驻英国大使夫人的姨妈作女佣的机会。到英国后不久，索马里爆发战争，旧政府被推翻，华莉丝趁乱再次出逃大使馆而流浪英国街头。 华莉丝在街头邂逅了收留自己的玛丽莲（莎莉•霍金斯 Sally Ha原来我是世外高人wkins 饰），跟着又在打工的餐厅里遇到伯乐，最终被发掘成为世界名模，并投身于妇女解放事业。 电影《沙漠之花》是根据出生于索马里的黑人模特华莉丝•迪里的自传畅销书改编。
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让-马里·斯特劳布,达尼埃尔·于伊耶
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The 罪恶王冠第二季subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
